My first piece the one I'm currently working on will just be a plain charcoal drawing; I'll work on the effect of manipulating the charcoal in different ways while also exploring with water colours. The focus will be on the figure looking down, and the how the figure essentially fades out into the darkness.
The following pieces are still in the developing idea stage:
The second piece will be another charcoal drawing of the figure. If I decide to not go with the same composition as the first drawing I will crop the picture I want to use so there is a large focus on the face. I was thinking of colouring the eyes, so they'd be blue. It'd be a prominent contrasting feature to the rest of the work and it would making it more confrontin as the figure looks out.
The third piece would be the most dynamic piece. The composition would be likewise to my first piece of work apart from the actual figure which will be in a different pose. I'd then like to reflect the powerful pose structurally through the use of perhaps many colours or even just harsh strokes or rough drawing. This one would be my biggest challenge and I would at the least like to complete my BOW up to there.
If I can I want to produce a fourth installment, where the mood becomes less dynamic and resembles more of the first two. I would need Ms Higgins' help for the picture. Basically I'd like her to be holding onto the door knob and it should look like she just closed the door. The focus would be on the hand and that's all you'd see on the figure. However what would be recognised hopefully is that it's an older person (Not saying that your hand looks old miss!!! But similar to that of an adult woman). The colour would not be as apparent in this piece and it should leave a feeling of detachment .
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